it is what it is

visual-poetry:

»grab ’em by the ballots« by zoë buckman

[via]

photograph: lightwork / for freedoms

(via visual-poetry)

escapekit:

Great Big Story

UK-based photographer Reuben Wu has made a name for himself with his unique images that combine lighted drone patterns with stark observations of natural land formations. Two months ago, Wu travelled to Peru to continue his body of work called Lux Noctis. Peru’s Pastoruri Glacier is a rare remaining tropical glacier, sited at 17,000 feet above sea level in the Cordillera Blanca mountain range.

buttonpoetry:

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newyorker:

For more cartoons from The New Yorker, follow us on Instagram: @newyorkercartoons.

(via defiantely-deactivated20181027)

mrjandpuddin:

My Neighbor Totoro (1988) dir. Hayao Miyazaki
Totoro, I beg you, please protect Mei. She’ll be lost, and probably scared. Please believe me, I’ll be good for the rest of my life if I can just see her again.

(via literarynerd)

zestydoesthings:

The results of the first Creature Feature stream! I had a lot of fun designing Owlbears of various shapes and species. Cheers to @FabooGu for the idea! #CreatureFeature

(via dicebound)

mydarkenedeyes:

Bjørg-Elise Tuppen - Blue Melancholia (2016)

(via mydarkenedeyes)

(via fuck-yeah-cacti-and-succulents)

mydarkenedeyes:

Sebastián Velasco

(via mydarkenedeyes)

archatlas:

Earth Box Equipo by de Arquitectura

Resolving the basic equation of materializing the desires through a limited budget, we started the process of building an architecture office. The exercise starts with the experimental process of use and transformation of available and recovered materials, such as land, recycled glass and formwork wood, configuring them between two existing trees: the sneak, which is outside but framed, and the guavirá that is located in the middle of space to keep us company.

The rammed earth walls of 0.30 support the weight of the slab, which rests on 20 cm of the wall, without any anchoring or mooring, taking advantage of the structural qualities of the material. The remaining 10 cm remain outside, to hide the slab, delimiting the exterior only with the walls. All the furniture and doors are from the phenolic plates that were used in the formwork of the slab. The library is detached from the walls so that the light continues its trajectory, suspending the books and paintings, precious treasures in the office.

(via thekhooll)